We’d like to congratulate Louise Erdrich on her National Book Award for The Round House. The following quote, from her Art of Fiction interview, explores the author’s approach to writing:“I take great pleasure in writing when I get a real voice going and I’m able to follow the voice and the character. It’s like being in a trance state. Once that had happened a few times, I knew I needed to write for the rest of my life. I began to crave the trance state. I would be able to return to the story anytime, and it would play out in front of me, almost effortlessly. Not many of my stories work out that way. Most of my work is simple persistence… But if the trance happens, even though it’s been wonderful, I’m suspicious. It’s like an ecstatic love affair or fling that makes you think, It can’t be this good, it can’t be! And it never is. I always need to go back and ­reconfigure parts of the voice. So the control is working with the piece after it’s written, finding the end. The title’s always there, the beginning’s always there, sometimes I have to wait for the middle, and then I always write way past the end and wind up cutting off two pages.”

We’d like to congratulate Louise Erdrich on her National Book Award for The Round House. The following quote, from her Art of Fiction interview, explores the author’s approach to writing:

“I take great pleasure in writing when I get a real voice going and I’m able to follow the voice and the character. It’s like being in a trance state. Once that had happened a few times, I knew I needed to write for the rest of my life. I began to crave the trance state. I would be able to return to the story anytime, and it would play out in front of me, almost effortlessly. Not many of my stories work out that way. Most of my work is simple persistence… But if the trance happens, even though it’s been wonderful, I’m suspicious. It’s like an ecstatic love affair or fling that makes you think, It can’t be this good, it can’t be! And it never is. I always need to go back and ­reconfigure parts of the voice. So the control is working with the piece after it’s written, finding the end. The title’s always there, the beginning’s always there, sometimes I have to wait for the middle, and then I always write way past the end and wind up cutting off two pages.”

  1. mccruiz reblogged this from thetinhouse
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  5. andy440 reblogged this from theparisreview and added:
    Pour une minute, une vie de patience …
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  9. thatfizzsound reblogged this from theparisreview and added:
    Awesome stuff about process!
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  11. atthemountainsofradness reblogged this from theparisreview and added:
    rad rad rad
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