“There are as many dreams of Palestine as there are Palestinians. The Palestine I know, I know only through stories. Whenever I go back, I find myself jammed in-between two separate worlds. The actual place—that dry and yellow patch of deadly land, for which I feel a profound distaste—and that dreamland, a landscape of ghostly buildings full of merry songs and cocktail parties, a crowd of ghosts hovering through the land, living the good life, their laughter echoing in the dark. As each new conflict and each new clash unravels in Palestine, the landscape becomes more ghostly, drifts further into its own mists and the stories take on a new life. The real world is left even more a nightmare. The ghouls and the women are conflated, as are the soldiers and the men, and these monsters despondently waltz away their nights while bombs fly over the heads of the living.”
Read more of Karim Kattan’s reflection on Palestine and “The Dying Sea” here.