“He tried to write One Hundred Years early on. At the beginning he called it his mamotreto [bulky notebook]. It was not spoken of; he could not write it. He knew the novel needed a writer with more experience, so he waited until the day he became the writer capable of writing One Hundred Years. It has to do with command of technique. You need a great deal of technique to write a novel like that. He knows the tale; he has the characters and storyline; but he couldn’t write it. You have a novel that has to be typewritten, but you can’t type, so you have to wait until you learn to type it up; the novel is there, waiting.”
Read part three of Silvana Paternostro’s oral biography of Gabriel García Márquez.

“He tried to write One Hundred Years early on. At the beginning he called it his mamotreto [bulky notebook]. It was not spoken of; he could not write it. He knew the novel needed a writer with more experience, so he waited until the day he became the writer capable of writing One Hundred Years. It has to do with command of technique. You need a great deal of technique to write a novel like that. He knows the tale; he has the characters and storyline; but he couldn’t write it. You have a novel that has to be typewritten, but you can’t type, so you have to wait until you learn to type it up; the novel is there, waiting.”

Read part three of Silvana Paternostro’s oral biography of Gabriel García Márquez.

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    Gabriel García Márquez. Premio Nobel de Literatura 1982
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    My novel is there waiting.
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